Filming Schedule

 

 

Week 1	Week 2
Monday – Practice filming of Graveyard (Scene 1) 4pm-5pm	Monday – School- Office (Scene 4) 5pm-6pm
Tuesday – Graveyard (Scene 1) 4pm-5pm	Tuesday – Various locations (Scene 5) 4pm-4:30pm
Wednesday – School classroom- Office Meeting (Scene 2)	Wednesday - Various locations (Scene 5) 4pm-4:30pm
Thursday – Voiceover recording (for Scene 2) 5pm-6:30pm	Thursday – School- Editing (Sound)
Friday – School (Scene 2) 3:45pm-5pm	Friday - School- Editing
Saturday – Various locations (Scene 3) 11am-1/2pm	Saturday - School- Editing
Sunday – Various locations (Scene 3) 10am-12/1pm	Sunday - School- Editing

Film Fonts Research

Film fonts research by Yasser Ibrahim  

Film Production Logos Research

Film logos research by Yasser Ibrahim

Film Production Company Logos

 

Dreamworks - The font is very clear and quite aesthetically pleasing and the symbol of the moon and clouds is very unique and memorable. Furthermore the colour scheme is quite relaxing and makes the whole logo even more aesthetically pleasing.

20th Century Fox - The logo used by 20th Century Fox has become an icon in the film industry and i believe that it has become so notorious due to the concise layout of the logo. The font is very clear and bold and stands out against the soothing looking back drop. Furthermore the sound that goes with it when it is introducing films is also very notorious as it is catchy. This could be something we take into account when making our own.

Universal - There is an ongoing theme between the different production company's logo's and that is that they seem to focus their logo on one main image that is almost like an icon (in this case it is the earth behind the title). Furthermore they often use aesthetically pleasing backgrounds which aid the title in catching the viewers eyes. Also, the fonts used often work well with the colour pallet on the logo's.

By Ryan Dowley

Saul Bass research

Saul Bass by Yasser Ibrahim

(Thriller) Production Companies

Touchstone pictures is a division of The Walt Disney Studios that is known for making films with a dark theme, often thrillers. It was founded in 1984 and is based in California, USA. It has produced many films including Armageddon, War Horse and Flight Plan. Touchstone uses Disney's resources for things such as distribution making it a  lot easier to access things needed to make the film a success.

Touchstone is a good example for us to follow with films such as Flight Plan as we are considering making a film that is based on terrorism and it also shows an example of a big company's take on a film based on terrorism. We have to consider whether we will produce our film as part of an independent company or as part of a conglomerate and we can use Touchstone as an example of a conglomerates version of a film based on terrorism and compare it to independent films such as Pulp Fiction (Miramax).

Miramax films is an independent film company known for distributing independent or foreign films. It is based in Santa Monica, California and was founded in 1979. It is useful as it provides us with an idea of an independent thriller so we can compare it to a conglomerate's version and see which we would like to be.

A reason that i decided to research Miramax Films is because it produced one of the most successful independent thriller films ever (Pulp Fiction). This is interesting as it shows that you do not have to be part of a conglomerate to produce a successful and presents a case for independent production companies when we are making our decision.

By Ryan Dowley

Film Production Companies

Film Production Companies by Yasser Ibrahim

Title Fonts

King Kong - The font used in the title of a film can be quite important and reflects on the film itself. A great example of this is 'King Kong' which is about a giant gorilla who is released into modern society from his native home and he goes wild causing chaos in society. The title is very good as it is in big bold dominant letters which reflect the events of the film.

Blade Runner - The title of blade runner has various connotations most notably the slash that goes through the whole title clearly representing the 'blade' part of the title. Additionally the font is blood red which could be a symbol of the death that is shown throughout the film.


The Godfather - A connotation that may not be noticed so easily is the arrangement of the title. In this case, the title is very concise and organised which could relate to the nature of the film (Organised crime). This could be something to take into account when making our own title.


By Ryan Dowley

Title Research

Titles by Ryan Dowley

Opening Sequence - Casino Royale By Ryan Dowley

In the opening sequence of Casino Royale there are many features that we can take inspiration from when creating our own for example the use of props (guns etc.) go well with theme of the film. Furthermore the editing used is also very good using things such as the blood coming down and covering the screen. The cast and crew are introduced whilst keeping the introduction captivating and introducing the theme of the film vaguely.

Furthermore, the constant fight scene going on behind the opening credits is very captivating and keeps the audience focused whilst introducing everything. We will take into account the effect that this has and try to include this in our own introduction.

As the opening progresses the animations continue to show fight scenes that almost sum up what you can expect in the film. Additionally the fact that they are only showing animated figures helps to keep the mystery of the film intact. Therefore it is helping to build up the anticipation.

To add, the way in which the credits are presented is very unique as it is very spontaneous and therefore keeps the audience guessing. This could be effective as often the credits are not a noticeable feature of an opening sequence.

Mind map of potential ideas by Yasser Ibrahim

This is a brainstorm my group created and illustrates 3 proposed film ideas that could be the foundations of our film opening. Thus far we have established that we would like to create a crime/conspiracy thriller, but we are still considering other options such as mystery and psychological. We have also concluded that the film opening should not reveal as much as we primarily thought, as film openings paint a vague picture of the story's themes, along with the opening credits and the setting.

Brainstorm of 3 film ideas;
The ideas include a main plot, characters and roles, sound and location

Audience research continued by Yasser Ibrahim

Audience research continued by

Audience Research

-   The majority of people asked look for action and comedy in a film when going to watch it in the cinema, therefore we will attempt to implement those desired qualities of films within our film opening

-   The majority of participants claimed to watch mostly action and thriller films; action now proving highly demanded by audience with the increasing use and development of special effects, CGI and camera quality. Therefore, well will try to use or hint that there will be some action in our film opening.

-   Based on current events and the increasing popularity of conspiracy based films and documentaries for examples ‘The Lion sleeps no more’, ‘Esoteric Agenda’ and films like ‘The Adjustment Bureau’ and ‘The Ghost’, as a group we decided to go for a conspiracy based film (opening), regardless of the lack of apparent interest in this specifically in comparison to other sub-genres of a thriller shown in the questionnaire. In addition, due to the high popularity of action thrillers and secondly psychological thrillers we will attempt to include certain aspects of these thriller sub-genres in our film opening

-   Predictably of teenagers the large majority stated they preferred new films to old classics so we will discuss elements of successful ‘new’ thrillers such as Inception in order to apply these elements to our thriller opening. However, two of the films mentioned as the participants’ favourite thrillers were in fact ‘classics’ (The Godfather and Scarface) despite the general preference of ‘new films’, this indicates that we must attempt to analyse sections of the films in order to somewhat determine what makes these thrillers so successful and hopefully be able to incorporate some of those elements into our own thriller opening.

Questionnaire by

Preliminary Task storyboard

Here are two sheets we completed in groups as class work before filming our preliminary task; creating the main ideas and type of shots we will use.

Film Opening sequences by Martin Al-Ashouti

This is a mind map we made to begin looking at Openings to a film, before more closely looking into thriller openings and our chosen sub-genres.
It gives an idea on what exactly the opening of a film should do and in what way etc. How does this introduce the genre, the cast and crew as well as entice the audience.

The Girl With The Dragon Tattoo - Opening sequence by Martin Al-Ashouti

This is a timeline activity of the title sequence of 'The girl with the dragon tattoo' that we conducted together as a group in class. below is the video that we used for analysis.
The video was very fast paced and filled with violence (though animated/CGI) and instantly gave an impression of the film as well as what it would include - fast paced violent scenes filled with both tension and action.

Scarface - Opening sequence by Martin Al-Ashouti

This is a timeline activity of the famous crime thriller, 'Scarface' closely analysing the ways in which the opening credits are presented as well as how the opening sets the scene, the setting, the genre and introduces the film to the audience. Below is the video used for analysis.

Microelements of films by Yasser Ibrahim

Microelements of films in Media Studies by

Thriller directors research by Yasser ibrahim

Research analysis of thriller directors by

Thriller Character - Bryan Mills (By Martin Al-Ashouti)

 

 

The other character i decided to analyse was Bryan Mills. Liam Neeson's famous role from Taken. I chose to look at this character as it is a very well known role, as well as an inspiration to myself and the group. It also just happens to be of great relevance to our group as we look to be basing our thriller opening on a crime thriller as well as possibly having our protagonist as a former agent of some sort. Bryan Mills is a former U.S. C.I.A agent. Similarly to my other case study and most thriller protagonists, he is used to develop the conventions - once again, focusing on the same sub-genre, the narrative is centred around crime, kidnapping his daughter and human trafficking.

This one important enigma is set up right at the beginning of the film and only further complicated with a major build of suspense and tension all through the film. One of the major scenes in this film favourited by many is the phone scene which instantly tells us about the character - a ruthless ex C.I.A agent who will do whatever it takes to ensure his daughters safety.

Thriller Characters - Jason Bourne (By Martin Al-Ashouti)

 

Jason Bourne, is the protagonist played by Matt Damon (casting is another major feature particularly for the main character and it is not by chance that a big Hollywood A-Lister was used) in 'The Bourne Identity'. Through this character, the film is able to establish a plot as well as cover the general generic conventions to make the film a thriller. One example, is the theme of identity, which is pretty much the basis of the film - due to his amnesia, throughout the film he is trying to find out who he really is, which was developed from the previous convention of the narrative being centred around crime - his amnesia was caused through an attempted murder, consequently he tries to find out who he is throughout the film and who it was that wanted him dead. We also see him in a series of important enigmas, for example, when finding out his identity, he comes across other fake identities unable to establish which one is real.

Throughout the film we see him in many lights and in following his perspective we feel a sense of empathy. One of which, common for many protagonists includes a romance with Marie Helena Kreutz played by Franka Potente.

Group Preliminary task